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The San Francisco-based
Cat Heads were formed by vocalist/guitarist Mark Zanandrea in 1985
and featured guitarist Sam Babbitt (Ophelias), bassist Alan Korn
(X-Tal) and drummer Melanie Clarin (Donner Party), The band harked
back to the angelic quirkiness of the hippies. The
traditional rock base of their early efforts belies the band's overriding
sense of ironic inspired lunacy, whether in the demented blues of
I Would Kill for Suzy or the grotesque pow-wow of Golden
Gate Park.
Their first
album, Hubba (Restless, 1987), is a gentle infusion of country,
blues and folk with a mature, "serious" sound. Zanandrea's
crazed hippie sensibility injects novelty with Power Love and
Pizza, and the band adopts the sweeping language of Television
here, which Zanandrea marries with the garage rock of the Pretenders
in Hanging Around. Korn channels the rock and roll of X in
Victim and hams it up in the drunken country number Saved
by the Bottle. In a more primitive vein, Babbitt offers the
delta blues tune Need to Know. Here and there, we hear strains
of the Jefferson Airplane or the Grateful Dead, but ultimately the
musical hodgepodge draws from all the rock influences of the last
twenty years, from the rabid folk rock of New White Wings
to the tender and ethereal Lullaby, sung by Clarin. The group
contains four very distinct personalities that somehow manage to
come together as a whole, incorporating Korn's rock, Babbitt's folk,
Zanandrea's blues and Clarin's pop.
The follow-up
album, Submarine (Restless, 1988), maintains the earlier
upbeat, trad sound while expanding the variety and maturity of their
diverse styles. Zanandrea vents his lust to a hard-rock hook in
the ultra-blues Little Less of Me and again, to frantic train-track
tempo, in Hallelujah Dance (taking I Would Kill For Suzy
to the max); then in Sister Tabitha he uses string section
and harpsichord for a classical arrangement that makes for a Paisley
Underground masterpiece. Babbitt gives a nod to Dylan in Grass,
but Korn has the lion's share of material here, with a series of
folk-rock refrains in heavy, noisy arrangements. Clarin sings the
best of them, Apologize and Upside Down, but there's
also Paradise and Alice on the Radio. And Korn authored
the sweet ballad Postcard, covered in acid-rock glitter,
as well as the hard-rock Crash Landing. They all have a pop
sound par excellence, that sounds somewhere between the bar and
the garage.
The following
year the (ex) Cat Heads, consisting
of Babbitt and Korn with their friends, Barry Hall and John Stuart,
put out Our Frisco (Twitch City, 1989), an album of humble
rock and acoustic numbers. The
true heirs to the Catheads are the other two members, Zanandrea
and Clarin, who nonetheless had to struggle to find a record label.
The album The Ode to Billy Joe Bob Dylan Thomas Jefferson Airplane
Experience (Baited Breath, 1992) was released under their new
name, It Thing. Zanandrea and Clarin's
It Thing was the ideal continuation of the Catheads and "The
Ode..." relished in the juxtaposition of pop and rock, of tradition
and new wave, of ethereal and aggressive.
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